Performance, text and food. Collaboration with artists Andreas Engman and Rose Borthwick as part of AFTERWORKS. Produced for the conference Material Encounters (August, 2019) at the Research Pavilion, Sala del Camino, Venice, IT.

Performance lecture with digital slide projection and video. Part of Beyond Ashes, International Museum Day program curated by Adriana Muñoz at Världskulturmuseet (Museum of World Culture), 18 May 2019, Gothenburg, SE.

Scripted scores and performance. A response to the recent re-emergence of neo-fascist movements in Sweden where groups such as Nordiska Motståndsrörelsen/Nordic Resistance Movement among others have gained strength, both in membership and in their visual and performative tactics that informs the blatant public exhibitionism. Collaboration with artists Andreas Engman, MC Coble and Jeuno JE Kim as part of Public* Display* of Actions* (P*D*A*).

Co-curated seminar. Post-Colonial Artist-Organisation in African Regions? was a seminar organised and co-curated for STRETCHED research project, led by artist Jason E. Bowman. The seminar took place during La Biennale di Venezia 2017, as a collateral programme in Sala del Camino, Campo S. Cosmo, Venice, IT – as part of the second Research Pavillion. 23 September 2017. With: Amarildo Ajasse, Élise Atangana, Stephanie Baptist. Co-convened with Mick Wilson.

On Afrophobia: Towards Decolonial Curatorial Approaches was a seminar that took place on 18 January 2016 (Martin Luther King day). With: Nana Adusei-Poku, Christine Eyene, Alanna Lockward and Christian Nyampeta.

Installation with wallpaper, photography and video. Exhibition produced and curated by Nicolas W. Hughes as part of his curatorial residence at Gallery WendA, Feb–Sept, 2015.

Practices and Notions of the Migrant Image was a seminar that took place at HDK-Valand (March 2015). With: Daniel Baker, Geir Tore Holm, Paula Urbano and Louise Wolthers.

Performance with painting. A collaboration with artist Ali Alkurdi Murad produced in 2015, for 13Festivalen performance festival at Konstepidemin, Gothenburg, Sweden.

Encounters at my apartment with food. At Kjell’s was produced in 2014 for the exhibition Motbilder (Counterparts) 22 Aug–14 Sept. Curated by Anna van der Vliet, ICIA.

Performance lecture with digital slide projection and video. First installment performed in 2014, for the group exhibition Fast Forward, curated by Jason E. Bowman.

Encounter via photo shoot. Produced in 2014, The Last Image at Eggers was a site-responsive project that departed from Hôtel Eggers’ historic connection to Swedish emigration in the 19th and early 20th centuries. I solicited participation from people interested in having their portraits taken at one of Eggers’ suites, whilst they thought about their last image – the image they’d hold on to before fleeing Sweden.

May I Be Happy Here was a sound installation, part of the group exhibition As If Silence(s) at the Tjolöholm's Castle, Kungsbacka, Sweden. Voice credits: Adriana Muñoz and Ibrahim Ebrima Faal.

Performance, installation with wallpaper and mini expresso bar. The Expresso Project was a temporary espresso-bar that explored the potential of coffee as a catalyst for social change.

Context-responsive installation with text and lights in NK shopping mall in Gothenburg, Sweden.

My Brazilian-Portuguese That I Haven't Seen is a series of self-portraits in several allegorical rooms documenting an intense and nostalgic attempt to maintain my mother tongue while struggling to assimilate when moving to a new place.